Some of her best films are not available on streaming platforms, but Deepa Gahlot looks at her Hindi cinema oeuvre on OTT.

Rediff.com's Prasanna D Zore, Hitesh Harisinghani and Afsar Dayatar return moist-eyed, elevated, after spending an evening with clowns and derring-do stunt artistes at Rambo Circus.

Just a week after Jagat Desai proposed to Amala Paul on her 32nd birthday in Goa, the couple tied the knot on Sunday, November 5, in an intimate wedding ceremony at the Grand Hyatt Kochi Bolgatty in Kochi.

She has mastered the comfy, chill, relaxed, style.

Mumbai's Museum of Living History is truly a delight.

We remember some of Nitin Chandrakant Desai most influential works.

By comparing I.N.D.IA. with banned terror outfits, Modi has exhibited the kind of nervousness never ever associated with him even at the height of the Gujarat riots, and certainly since his prime ministerial days, observes N Sathiya Moorthy.

The Royal Observatory Greenwich shortlisted 34 images for its Astronomy Photographer Of The Year 2023 competition from thousands of entries received from all over the world.

'Every day, after 'pack-up', Khansaab and Deepika would come for dance practice and rehearse till around 1-1.30 am.' 'The weather was a challenge because while on screen, it looks warm and sunny, it was actually bitterly cold, with a sharp, stinging wind which had the actors and dancers shivering in their summer clothing.'

Which celeb took your breath away? Take the poll and vote for your favourite.

She's living her best days as the newest Ambani bride-to-be.

Tips for being on your game at NYE.

Tara Sutaria graced the Bombay Times Fashion Week ramp in a lusciously-embroidered red lehenga with a black -- yes, we know it's an unconventional shade -- choli.

Shanaya's night out with Suhana... Sunny's perfect sunset... Anusha's Federer moment...

Pellissery's women continue to express the beauty in our common humanity. And often, these women go so far into expressing our hopes, desires, absurdities and follies that they end up acting at variance with the ethical prescriptions of our age. And this, I believe, is precisely why they remain "invisible" to a whole bunch of viewers, says Sreehari Nair.

White is pure. White is powerful. And our movies just love to channelise its immaculate energy and enhance a visual's impact.

'Once Mohanlal's ever-swelling entourage grasped his enormous worth, once it realized that the innate Mohanlal appeal could be profited from, it set about to exploit, to make uproars, to create the Mohanlal brand.' 'And he wasn't meant to be a brand. He was meant to be an artist, a tireless explorer of the unique seas inside him,' asserts Sreehari Nair.

In 1989 when Bajaj came out with their legendary and elegant Hamara Bajaj campaign, that looked more at apna India, rather than the scooter, and at all hues of scootered Indians, it drew millions of eyeballs and was brilliantly successful.

'She brought so much craft, skill and spontaneity to her songs, it was almost impossible for me to match up to her voice on screen.'

During the lunch or tea breaks, Maharajji, Manikda, Amjad Khan and I often sat together as Maharajji sang old compositions or recited some bols. Amjad Khan had a great music sense and sang very well.

Break Point is an emotional ride into Indian tennis' ultimate fairytale gone wrong, observes Deepti Patwardhan.

'It was one of the greatest learnings in my life to see someone like the great Amitabh Bachchan go through such a tough phase.' 'He had been there, done it all and really didn't need to prove himself.' 'Yet, he channelised it all and came out with one of his best performances,' Rakeysh Omprakash Mehra tells Savera R Someshwar/Rediff.com in a fascinating conversation about the films he has made and the actors he has worked with.

Bhuj: The Pride of India: Pearl Harbour on a dollar store budget, notes Sukanya Verma.

Farhan Akhtar, in first person, about the role that transformed his career as an actor.

Amit Mistry was a wicked actor, someone who could chance a broken arm, who could take deep dives, who could ram his head into walls, all without bothering about the outcome. And, as with that closing bit, the knowledge of where he might have arrived at eludes us now, observes Sreehari Nair.

'I knew things were not going well, but there was always that hope.'